In Lightroom, you will find it in the Develop module, right under the Histogram. How to Crop in Lightroom #Īll editing programs include a handy cropping tool. In these cases I try to crop just a bit of the hair and leave the forehead intact. Sometimes, like if you’re taking extreme close ups, you have to crop something, so the top of the head is a good compromise. In addition, by cropping at this point you will probably end up with the eyes in the lower half of the frame, so it will be an extra awkward portrait! Regarding the top of the head, it depends on your taste. Cropping the chin makes portraits look unnatural, so try to avoid it (unless you are doing some kind of creative cropping). For example, portraits usually look better when your model’s eyes are placed at the upper half of the frame, like in the image below. When you are cropping a headshot or a close up, there are some things that work for most cases. It might seem like you are chopping parts of your model’s body, giving an uncomfortable feeling to the viewer. Try to avoid cropping exactly on the ankles, knees, elbows, shoulders or neck. There’s a rule of thumb that says we shouldn’t crop on anatomical joints. Depending on where you cut the image, you might end up with an awkward portrait. Now it is time to decide on the cropping point. I recommend cropping if you must, but keep it minimal (or accept the lose of quality). You are taking out pixels from your image, so the final photo will either be smaller or have lower resolution. However, you should consider this: when you crop in post-processing, you lose image quality. Worry not! You can always crop in post-processing. Or maybe you changed your mind about the portrait’s length after it was already taken. Maybe you couldn’t place yourself at the right distance from the subject when taking the photo. Once you know what type of portrait length you want, you can frame it directly when you are taking the shot. Framing Directly in the Camera or Cropping Photos in Post-Processing # Finally, if you want to highlight some detail of your model, you can take a close up of just a part of his/her body so it takes up the whole frame. The background is not so important anymore because the model fills up the majority of the frame and captures all the attention. You can go a step further and take headshots. These are perfect to include some background but give more importance to your model. You can decide to crop somewhere along your model (usually around the legs or waist) to have a three-quarter length portrait. Those are great when the background adds to the story or the feelings you want to convey. You can take full body portraits of your model with some background around him/her. You can crop your photos to include more of the whole body and the surroundings, or to focus on specific parts of the frame. One of the things that define a portrait is its length. How to Crop Portraits to Choose a Portrait Length #
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Columbusites have interpreted the remnants of 19th-century drainage systems in the context of their histories of race. The hole must connect to the sewer system, which is linked to the river.ĭrainage is the culprit. He pulled back the manhole cover and said, “There was a fish down there!” This confirmed my suspicions even further. “I heard something from down in this tunnel one day,” he told me eerily. This same director of security brought me to an old sump pump with a tunnel plunging deep into the ground. One of the old enslavers used to live just a couple of blocks away from the church, so it seemed plausible that a tunnel connected to his house might still exist under the church. I hadn’t been thinking of the tunnels in such humanitarian terms. The director of security for Saint Luke Church in downtown Columbus assumed that since the labyrinth was underground, I must have been looking for evidence of the Underground Railroad. The few who thought past the allure of the underground labyrinth often spun a story of heroism rather than one of inhumanity. The passageways rumored to be under the Lion House-and under much of Columbus-are a macabre form of folklore that Columbusites willingly entertain. 4 This history, much like the place of slavery and Indigenous displacement, was buried underground and even floated across the river to Phenix City, where mob rule became so bad that Alabama leaders had to use martial law to “clean up” the streets in 1954. Records aren’t available for these activities, but a close examination of those that exist reveals a history of sex and alcohol on Georgia’s frontiers. One imagines all sorts of illegally distilled spirits moving along the dark corridors from the house to the hotel. The supposed passageway was rumored to connect the house to the Racine Hotel. Prohibition activists started their work early in the city, even before the dawn of the 20th century. Columbus, like Phenix City across the river in Alabama, had its run of pimps, prostitutes, and underground gambling dens-a veritable Sodom and Gomorrah on the Chattahoochee. The Lion House has long been associated with illegal activity, and so, too, has the region. Library of Congress Geography and Map Division Perspective map of Columbus, GA, county seat of Muscogee County (1886). Secrets brought me to the house in the first place. He made his intentions clear: Secrets are more valuable than the truth. After a full tour of the home, he refused to let me into the basement. He invited me to his house, knowing full well that I wanted to see the passageway. In our email exchange leading up to our rendezvous, he never dispelled them. I had heard most of these stories before I visited Luedtke’s house. The current owner of the Lion House, Brian Luedtke, is happy to let rumors about his property’s basement passageway simmer. Still another imagines the house’s passageway as an entrance to a subterranean world of slave tunnels, used to connect slave-transport ships arriving on the Chattahoochee River to auction houses and holding pens. Another insists bootleggers and booze smugglers supplied the nearby Racine Hotel with illicit substances during the Prohibition era. One story imagines a subterranean escape route designed to spirit away white settlers when the Creek tribes attacked early in the 19th century. A mystery surrounds the historic Lion House and its basement passageway, in Columbus, Georgia. “Good” writing is linear and rational, it makes sense, and it represents a rational, able mind. One of Price’s arguments is that the university and writing classes are founded on the principles of rationality. As someone who is a proponent and critic of classroom communities, this book forced me to confront the assumptions I had about who was in my classroom. I read Margaret Price’s Mad at School (2011) this summer and had one of those revelations. The new class prep and new TA orientation curriculum combined with my own fun reading has made me particularly reflective about teaching and learning: what I do as a teacher/scholar and why I do it.ġ- Being more inclusive in a variety of ways In many cases, it may be the only pedagogical training the TAs receive (not for lack of resources on campus but more for lack of time and incentive to attend extra co-curricular events hosted outside of departments). Over 600 new-to-OSU TAs from across the disciplines will come to a three day teaching bootcamp. I’m also preparing for the OSU University Center for the Advancement of Teaching new TA orientation next week. This is the first time I’ll get to teach a class outside of a one or two year writing curriculum, so it’s quite a change in some ways. After a year of teaching new (and in some cases, very new hybrid format) courses in our first year and second year writing program, I’ll be teaching another new-to-me class of digital media composing. Fall semester begins at OSU in just two short weeks. My girlfriend told me not to sign it but it was to late. I was told it was just showing that I returned the part and requested a refund. I returned the part to them and then was presented with a paper and told to sign it. I told them I did not want the in store credit I have no use for it because I eventually found the same part for half their price and no longer needed it. After driving 75 miles one way I was then told that I could get in store credit. I called the business and was told to bring the part back to the store. After the installation it was clear the part did not work. On OctoI ordered and was charged $512 for a front left strut for my 2004 e500 Mercedes Benz after receiving the part I then paid to have this part put on my car. I have a 2007 Mercedes Benz S550 I was having torque converter and incorrect gear ratio readings on which I believe was the transmission I went to this company hoping that they were going to help me they sold me a transmission for $2125.00 and told me that they will do the work for another $1550.00 I paid them what they were asking for and I waited for a month-and-a-half for them to get done with their work when they got done with their work it still was having basically the same issue it had before I brought it to them transmission installed in all I was talkin to ****** I guess his name is and he told me to give him some time and he was going to have a few different people come and take a look at it after they came and took a look at it he had told me that it was a possible wiring issue and he couldn't do anything else for me after I paid all that money to have the problem fixed it was still happening I went back to ****** and I explained to him again at the same problems were happening and he told me that I should just forget about it in junk the car which I definitely wasn't going to do then he also told me that for another 3,000 or so dollars he can make the car brand new again and I didn't understand what he meant cuz I already spent a lot of money with those guys getting a transmission and believing in their work which came out to be not what they said it would be and not fixing my problem I recently went to another shop with a lot of good record and review they did a test and told me that it was a torque converter and that's where I come to make my claim because I don't understand at work converter is a part of a transmission and if they sold me a transmission how come the torque converter was bad either they put my old one back in or they didn't check the supposedly new one that they put in with the transmission or the used I am very confused and it's costing me a lot of money and they are not getting back to me **** and ****** are ping ponging me
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